This article discusses the potential of a contemporary understanding of what Heraclitus and the Stoics called ‘cosmological logos’, and its relation to human reason and cultural communication. I will relate the example of Descartes’ and his introspective method in Meditations on the First Philosophy (1647) to a contemporary understanding of the potential of introspection, related to theories of the embodied mind, virtual levels of nature and a possible connection between them. Where Descartes focused upon the rational properties of the logical (...) mind, and its potential to relate to nature’s higher logic, I relate my vision of a modern logos philosopher to Charles Sanders Peirce’s concept of nature’s ‘habits’, triad semiosis and the overall phaneroscopic phenomenology, which I connect to the concept of ‘aesthetic reason’. Aesthetic reason, in this context, represents a complex kind of rationality that involves a broader variety of cognitive processes. It is based on Extended Sentience, which includes properties of quantum communication that simultaneously work within the confinements of the mind–body, while simultaneously transgressing it. This article takes an overall evolutionary perspective, and claims that the prerequisites for experience and rationality are changing over historical time, due to evolutionary changes at endosemiotic levels of the mind–body. The prerequisites for Descartes’ activity of cognitive mediation and such of a modern logos philosopher, would thus not be equal. I will elaborate on the differences in this article. (shrink)

This paper argues for the digital interactive installation artwork based on principles of complexity as an interface with the potential to evoke ekspansions in the subjective experience by confronting the user with an idea of abstract thought, created through a conceptual design, and experienced through bodily interaction and contemplative acts at symbolic levels. The claim is, that ideas presented through good artworks based on the coalision of science and technology can potentially create a synthesis between ideas inspired by the philosophies (...) and empiricisms of the physical-material world view, but also of a higher, spiritual dimension, in which new possibilities of knowledge are potentially to be found. The article accepts the thesis of cognition being the cause of evolution, rather than evolution of man being the cause of cognition. (shrink)

The Assumption of Agency Theory Content Type Journal Article Category Review Pages 523-528 DOI 10.1558/jcr.v11i4.523 Authors Kathrine Elizabeth Anker, Planetary Collegium, Plymouth University, Drake Circus, Plymouth, Devon PL4 8AA, UK Journal Journal of Critical Realism Online ISSN 1572-5138 Print ISSN 1476-7430 Journal Volume Volume 11 Journal Issue Volume 11, Number 4 / 2012.

This article suggests an assembly of ideas collected from transdisciplinary areas that in integration can potentially cast light on the role of affect and feeling in aesthetic experience. The article takes up a well-known philosophical quest to define the nature of aesthetic experience, but seeks out new territories of explanation that rest upon principles of rhetorical integration across a seemingly ambiguous landscape of separated theories, and under a dynamic, connective observatory perspective. The aim of the article is thus to suggest (...) a rhetorical design integrating results from the fields of neuroscience, biosemiotics, medical theory and philosophy of art, which could potentially result in an extension of traditional understandings of the roles of affect and feeling in processes of communication. I see the space of installation art, based on new technology and science, as a possible laboratory for the speculative mind, to which such investigations could be successfully related. I find that contemporary installation artworks can if successful induce an activation of processes intrinsic to the bodymind, which can bring forward new imaginations, new metaphors and extended self-understandings. (shrink)